Publications

Journal articles

• Conley, W. L.Conley, W. W., & Livingstone, S. R. (under review). EMGFlow: A Python package for pre-processing and feature extraction of electromyographic signals. Journal of Open Source Software.
  [pre-review]

• Good, A., Earle, E., Vezer, E., Gilmore, S., Livingstone, S. R., & Russo, F. A. (2023). Community Choir Improves Vocal Production Measures in Individuals Living with Parkinson's Disease. Journal of Voice.
  [pdf] [doi]

• Chang, A., Kragness, H., Livingstone, S. R., Bosnyak, D. J., & Trainor, L. J. (2019). Body sway reflects joint emotional expression in music ensemble performance. Scientific Reports, 9(1), 205.
  [pdf] [doi]

• Swarbrick, D., Bosnyak, D. J., Livingstone, S. R., Bansal, J., Woolhouse, M. H., Marsh-Rollo, S., & Trainor, L. J. (2019). How Live Music Moves Us: Head Movement Differences in Audiences to Live Versus Recorded Music. Frontiers in Psychology, 9(2682).
  [pdf] [doi]

• Livingstone, S. R., & Russo, F. A. (2018). The Ryerson Audio-Visual Database of Emotional Speech and Song (RAVDESS): A dynamic, multimodal set of facial and vocal expressions in North American English. PLoS ONE, 13(5), e0196391.
  [pdf] [doi] [dataset]

• Chang, A., Livingstone, S. R., Bosnyak, D. J., & Trainor, L. J. (2017). Body sway reflects leadership in joint music performance. Proceedings of the National Academy of Sciences, 201617657.
  [pdf] [doi]

• Livingstone, S. R., Vezer, E., McGarry, L. M., Lang, A. E., & Russo, F. A. (2016). Deficits in the mimicry of facial expressions in Parkinson’s Disease. Frontiers in Psychology, 7.
  [pdf] [doi]

• Livingstone, S. R., & Palmer, C. (2016). Head movements encode emotions during speech and song. Emotion, 16, 365-380.
  [pdf] [doi] [media] [media]

• Livingstone, S. R., Thompson, W. F., Wanderley, M. M., & Palmer, C. (2015). Common cues to emotion in the dynamic facial expressions of speech and song. The Quarterly Journal of Experimental Psychology, 68, 952-970.
  [pdf] [doi]

• Livingstone, S. R., Choi, D. H., & Russo, F. A. (2014). The influence of vocal training and acting experience on measures of voice quality and emotional genuineness in male singers. Frontiers in Psychology, 5.
  [pdf] [doi]

• Livingstone, S. R. (2013). The kinematics of musical expression in the spatiotemporal dimension. Empirical Musicology Review, 8, 124-127.
  [pdf] [doi]

• Chan, L. P., Livingstone, S. R., & Russo, F. A. (2013). Facial mimicry in response to song. Music Perception, 30, 361-367.
  [pdf] [doi]

• Livingstone, S. R., Palmer, C., & Schubert, E. (2012). Emotional response to musical repetition. Emotion, 12, 552-567.
  [pdf] [doi]

• Livingstone, S. R., Muhlberger, R., Brown, A. R., & Thompson, W.F. (2010). Changing musical emotion: A computational rule system for modifying score and performance. Computer Music Journal, 34, 41-64.
  [pdf] [doi]

• Thompson, W.F., Russo, F.A., & Livingstone, S. R. (2010). Facial expressions of singers influence perceived pitch relations. Psychonomic Bulletin & Review, 17, 317-322.
  [pdf] [doi]

• Livingstone, S.R., Thompson, W.F., & Russo, F.A. (2009). Facial expressions and emotional singing: A study of perception and production with motion capture and electromyography. Music Perception, 26, 475-488.
  [pdf] [doi]

• Livingstone, S. R. & Thompson, W. F. (2009). The emergence of music from the Theory of Mind. Musicae Scientiae, Special Issue 2009/10 "Music and Evolution", 83-115.
  [pdf] [doi]

• Livingstone, S. R., Muhlberger, R., Brown, A. R., Loch, A. (2007). Controlling Musical Emotionality: An Affective Computational Architecture for Influencing Musical Emotion. Digital Creativity, 18, 43-54.
  [pdf] [doi]

• Livingstone, S. R. & Thompson, W. F. (2006). Multimodal affective interaction: A comment on musical origins. Music Perception, 24, 89-94.
  [pdf] [doi]